None of these characters can communicate with each other. You can probably learn the most from how the script expertly cuts between many different places and characters. Comedy leads the way here and the movie script demonstrates this, humour present in the conception of the characters, their dialogue and the situations they find themselves in. STRANGELOVE is how you make the political palatable to a wide audience.
The way the characters interact with each other and their differences is vital to the comedy and this feels written in the screenplay’s very bones.Ī dark comedy satire about the end of the world, DR.
It’s also a great example of how to write a comedic double act, or triple act even.
But the way the screenplay uses twists and guise for comedic effect is one of the best examples of how to execute comedic set plays. The tropes used in this screenplay nowadays feel quite outdated.
Like the best comedies, the character types are established early and clearly before Wilder and Diamond wind them up and let them bounce off each other.įrom the climax you can learn most about comedic escalation, as the screwball comedy and gangster genres collide. “Nobody’s perfect” – but this script just might be.
SOME LIKE IT HOT is witty, tightly constructed, slyly subversive and full of colourful, larger than life characters. Following SOME LIKE IT HOT they would go on to Oscar success with THE APARTMENT and write the screenplays for a string of ’60s comedies from ONE, TWO, THREE to THE FORTUNE COOKIE. Wilder and Diamond are one of Hollywood’s legendary writing partnerships. SOME LIKE IT HOT, written by Billy Wilder and I. The 20 Selected Screenplays to Best Learn From 1.
It’s essential that screenwriters are not only regularly watching films and TV but reading movie scripts too. Stephen King said it best: “ if you don’t have the time to read, you don’t have the time or the tools to write.“